Tuesday, December 20, 2005
Now for something completely different.
I thought I would work with some equipment I had not used in a while.
Here is a shot of my youngest daughter taken in style I haven’t worked with for about 20 years.
I used a 20” beauty dish and a Big Ol Reflector (BOR) and popped the background to blow it out. I did some work in Photoshop to create a silky, high-contrast look.
I like this style and look, unfortunately, this makes my 5 year old look like a teenager.
Talk about a departure from my usual style!
jh
Monday, December 19, 2005
The essence of “Natural”
I have done a lot of thinking lately about what makes an image seem “Natural”.
I will keep coming back to this theme from time to time. I haven’t defined all of the “Rules of Natural Photography” but I have a good start. I will share them now and expand upon them further as we go along.
What are the visual cues that a picture is “Natural”:
• Complex backgrounds
• Light is often coming from unusual directions
Slightly too low or too high
• One main light source
• Complex ambient lighting
• Complex catch lights in eyes
• Tiny catch lights in eyes
• Broad light source creating hair light (the sky)
• Light source is visible (window)
• Apparent depth creates light falloff
• Identifiable background
• Background dark on bottom, light on top
• Lighting Harmony
Continuity of lighting direction and intensity (especially hard lighting)
• Lighting of background compliments subject lighting (direction, character)
• Atmospheric lighting
• Messiness
Blown out highlights
Windblown hair
Clutter
Texture
Environment
The “tells” of “artificial” photography
• Light character and fall off that scream “light box!” or “Umbrella!”
• Painted backdrops
• Props of any kind
• Black turtlenecks
• White turtlenecks
• Perfect hair
• Hair lights (rim light, kicker)
• Light coming from too many directions
• Light that is either too even or too direct
I will keep coming back to this theme from time to time. I haven’t defined all of the “Rules of Natural Photography” but I have a good start. I will share them now and expand upon them further as we go along.
What are the visual cues that a picture is “Natural”:
• Complex backgrounds
• Light is often coming from unusual directions
Slightly too low or too high
• One main light source
• Complex ambient lighting
• Complex catch lights in eyes
• Tiny catch lights in eyes
• Broad light source creating hair light (the sky)
• Light source is visible (window)
• Apparent depth creates light falloff
• Identifiable background
• Background dark on bottom, light on top
• Lighting Harmony
Continuity of lighting direction and intensity (especially hard lighting)
• Lighting of background compliments subject lighting (direction, character)
• Atmospheric lighting
• Messiness
Blown out highlights
Windblown hair
Clutter
Texture
Environment
The “tells” of “artificial” photography
• Light character and fall off that scream “light box!” or “Umbrella!”
• Painted backdrops
• Props of any kind
• Black turtlenecks
• White turtlenecks
• Perfect hair
• Hair lights (rim light, kicker)
• Light coming from too many directions
• Light that is either too even or too direct
Thursday, December 15, 2005
Adhering to a Natural Aesthetic
My little photography business is mostly about portraiture of kids. (and by extension, family group shots and dogs!)
Because I built the business as an outgrowth of making pictures for pleasure rather than pursuing the general portrait market, my style has been closely constrained to my personal likes and sensibilities.
natural light
outdoors
up close
black & white
kids
Now that the business has a life of it’s own, even though it is not my primary means of earning a living, I am being asked to shoot year round. Which is all well and good but for the fact that the natural aesthetic is little hard to pursue in the winter in Chicago.
That leaves me with a dilemma.
Shoot by window light
Shoot out in the cold
Make studio light look like natural light
Or
Don’t get so caught up in the artistic integrity shtick, develop a studio look that I am comfortable with and celebrate my versatility!
The next couple of posts will be experiments in developing along all of these paths to see what feels right.
I welcome and appreciate any comments anyone may have.
If you want to get a feel for my existing work, visit http://www.lightcatcherphoto.com and look around.
jh
Because I built the business as an outgrowth of making pictures for pleasure rather than pursuing the general portrait market, my style has been closely constrained to my personal likes and sensibilities.
natural light
outdoors
up close
black & white
kids
Now that the business has a life of it’s own, even though it is not my primary means of earning a living, I am being asked to shoot year round. Which is all well and good but for the fact that the natural aesthetic is little hard to pursue in the winter in Chicago.
That leaves me with a dilemma.
Shoot by window light
Shoot out in the cold
Make studio light look like natural light
Or
Don’t get so caught up in the artistic integrity shtick, develop a studio look that I am comfortable with and celebrate my versatility!
The next couple of posts will be experiments in developing along all of these paths to see what feels right.
I welcome and appreciate any comments anyone may have.
If you want to get a feel for my existing work, visit http://www.lightcatcherphoto.com and look around.
jh
Celebrate life through taking pictures
It seems to me that the best pictures are the ones that just happen, or at least look that way.
There is something about photography that makes it want to be uncontrived, real, genuine, of the moment.
Maybe it's just me, but I think that discovering images is far more satisfying than making art.
I have a philosophy of taking and making images that focuses upon uncontrived, natural image making and deliberate, diligent and focused approach to the craft of making the final art.
I hope to use this blog as a forum for posting my ideas about this process.
jh
There is something about photography that makes it want to be uncontrived, real, genuine, of the moment.
Maybe it's just me, but I think that discovering images is far more satisfying than making art.
I have a philosophy of taking and making images that focuses upon uncontrived, natural image making and deliberate, diligent and focused approach to the craft of making the final art.
I hope to use this blog as a forum for posting my ideas about this process.
jh
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